Five top Shakespeare-inspired titles

Rebecca Fallon is a New England-born Londoner and a graduate of Williams College and the University of Oxford.

Family Drama is her debut novel.

At Lit Hub she tagged five titles that make for:

a masterclass in how to steal from Shakespeare, featuring some world-class thieves. Each story contains shades of its foundation. All deal in Shakespeare’s timeless themes of power and family, loss and love. All strike at the most profound elements of life. But each also departs in truly original ways, allowing the author to express something honest and new through the conversation with the source.

One novel on the list:

Sally Rooney, Intermezzo

Joyce may be the obvious influence on Rooney’s latest work, but as fans of Ulysses will know, a seam of Hamlet runs throughout that great Irish masterpiece. This literary gene certainly passed to Rooney’s modern-day Dubliners, and it’s no surprise that the author re-read Hamlet whilst writing Intermezzo.

Both books are about sons grieving their fathers and avoiding their doomed relationships. As a character, Rooney’s Peter Koubek is much like the Danish prince; as a human-rights lawyer, he similarly sees himself as a vehicle of justice whose actions are often misguided, resulting in more harm than good. Peter’s struggles with the nature of sanity and mortality echo some of the Dane’s more famous monologues. “Under what conditions is life endurable,” Peter wonders, to paraphrase the great question of the play. Hamlet, dense with soliloquies, translates well to the intense interiority of Intermezzo.

Even within her prose, Rooney occasionally slips into iambic pentameter. When Margaret, a local arts administrator, recalls her brief affair with Peter’s brother Ivan as “a dream, attached at the corners to no reality, shared with no one, vanishing into nothingness.” Even the most mundane moments are elevated with this language, as when Peter “made from unthinking habit too much coffee.” In three places—including the final page—direct quotes from Hamlet weave into Peter’s interior monologue. “Thou know’st, ’tis common; all that lives must die,” he muses, a nod to his consciousness of the play even as it influences him as a literary character.

Rooney avoids, however, the bloody tragedy—Peter, unlike Hamlet, is saved by having a brother. Ivan proves one reason for Peter “to be” in the end, along with his two non-drowned girlfriends, Sylvia and Naomi. Peter’s only vanquishing is an ego-death, as he’s forced to release his fixation with monogamy and acknowledge the complexities of relationships. Would such a revelation have been a better end for Hamlet? Perhaps. It certainly would have saved Gertrude a lot of grief.

Read about the other entries on the list at Lit Hub.

--Marshal Zeringue

Five novels that celebrate Mesoamerican cultures and mythologies

Angela Montoya has been obsessed with the magic of storytelling since she was a little girl. She hasn’t seen a day without a book in her hand, a show tune in her mind, or a movie quote on her lips. She is the author of Sinner's Isle and A Cruel Thirst. When she isn’t lost in the world of words, Montoya can be found hiding away on her small farm in Northern California, where she’s busy bossing around her partner and their two children, as well as a host of animals.

Montoya's new novel is Carnival Fantástico.

At The Nerd Daily the author tagged five novels that explore "the dynamic, complex deities that can only be found in Mesoamerican legends." One title on the list:

The Sunbearer Trials by Aiden Thomas

I will read anything Aiden Thomas writes, but The Sunbearer Trials is one of my absolute favorites. The story introduces us to Teo, the trans son of Quetzal, the goddess of birds. When Teo is chosen against all odds to compete in the Sun Bearer Trials, he must face opponents who are far more powerful and far better equipped to survive. During our hero’s journey, we meet a rich cast of deities that have been reimagined from Mesoamerican legend, making this story feel epic, daring, and truly unique. Celestial Monsters, the second book in this duology, is equally remarkable.

Read about the other entries on the list.

--Marshal Zeringue

Five spy thrillers that are good literature

Michael Idov is a novelist, director, and screenwriter. A Latvian-born American raised in Riga under Soviet occupation, he moved to New York after graduating from the University of Michigan.

Idov’s writing career began at New York Magazine, where his features won three National Magazine Awards. His first book, 2009’s satirical novel Ground Up, sold over 100,000 copies worldwide and was optioned for a series by HBO. From 2012 to 2014, he was the editor-in-chief of GQ Russia, an experience that became the basis for his 2018 memoir Dressed Up for a Riot.

In addition to spy novels The Collaborators (2024) and The Cormorant Hunt (2026), Idov has worked on numerous film and TV projects, including Londongrad, Deutschland 83, Cannes Main Competition title Leto, and his own 2019 directing debut The Humorist. He and his wife and screenwriting partner, Lily, divide their time between Los Angeles, Berlin, and Portugal.

[Writers Read: Michael Idov (October 2009); Q&A with Michael Idov]

At CrimeReads Idov tagged five favorite books "that work both as excellent spy thrillers and good literature, delivering all the clandestine kicks while treating the reader as an actual adult." One title on the list:

Jonathan Payne, Citizen Orlov

A fishmonger bumbles his way into a royal assassination plot in a silly yet hyperliterate sendup of both Kafka and Graham Greene. The setting—a made-up Eastern European backwater that feels about eighty percent Czech—is half the fun, but, amazingly, the madcap plot with its innumerable twists works on its own, too. The result is a hoot and a half that practically begs to be a Wes Anderson film.

Read about the other novels on the list at CrimeReads.

Q&A with Jonathan Payne.

--Marshal Zeringue

Twelve memoirs of widowhood

Marion Winik is the author of nine books, including The Big Book of the Dead (2019) and First Comes Love (1996; reissued with a new introduction in 2026). Her essays have been published in The New York Times Magazine, The Sun, and elsewhere; her column at BaltimoreFishbowl.com has been running since 2011.

[Coffee with a Canine: Marion Winik and Beau (December 2009); Coffee with a Canine: Marion Winik and Beau (June 2013); Writers Read: Marion Winik (June 2013)]

A professor at the University of Baltimore, she reviews books for The Washington Post, Oprah Daily, and People, among others, and hosts the NPR podcast The Weekly Reader. She was a commentator on All Things Considered for fifteen years. She is the recipient of the 2023 National Book Critics Circle Service Award.

At Publishers Weekly Winik tagged twelve top widow memoirs, including:

The Widow’s Guide to Dead Bastards: A Memoir
Jessica Waite

This title is hard to resist, but what about that “dead bastard”’s son, who was nine at the time of his beloved father’s death? I worried about that the whole time I was reading this book, having faced similar dilemmas in writing about my own late husband’s lapses. This woman faced an avalanche of nasty secrets about a husband she had mostly adored, though his undiagnosed bipolar disease had begun to cause trouble in their relationship toward the end of his life, before he died from heart attack at 47. Her appealing voice keeps the reader on board through the big messy reveal and the New Age/paranormal experimentation that follows.

Read about the other entries on the list.

--Marshal Zeringue