Alison Bechdel, Fun HomeRead about the other entries on the list.
In her opening chapter, Alison Bechdel describes her father as “an alchemist of appearance, a savant of surface, a Daedalus of decor” (potentially an alliterative reference to Geoffrey Wolff’s 1979 The Duke of Deception, itself a fantastic Bad Dad memoir). These titles refer to her father’s knack for home restoration, but also to his ability to maintain a double life: despite his marriage and three children, he was a gay man who had a particular interest in teenage boys.
Given these circumstances and her abundant skill, telling a linear, narratively boilerplate story would have made for a great book on its own. Instead, however, Bechdel opts for a delightfully complex structure—one that is self-consciously literary and deeply self-referential, with each narrative recursion adding more metaphorical and emotional nuance. Anyone who came of age in a library will see themselves in Bechdel to some extent, and those who did so due to family circumstances won’t be able to put her down.
--Marshal Zeringue