mourning customs to architecture. She describes herself as a lapsed Dickensian and as someone who has had a different career every decade. Her work life began with a Ph.D. dissertation about Dickens and Christmas, but she quickly left the academic world for successive careers at the Canadian Broadcasting Corporation as a radio producer; at the Toronto newspaper The Globe and Mail as the arts and books editor; and most recently as a full-time writer.
[ Q&A with Katherine Ashenburg]
Ashenburg's new novel is Her Turn. In it, Liz, a divorced newspaper editor, finds her tidy life overturned when the woman now married to Liz’s ex-husband submits a personal essay to the column Liz edits. Wife #2 has no idea that she is sending her essay to Wife #1, and Liz decides to keep that a secret, with surprising results. Elizabeth Renzetti writes of it, “It is infused with the joyful spirit of Nora Ephron and lit with a charm all its own.”
At Electric Lit Ashenburg tagged seven funny novels about journalists chasing stories and uncovering intrigue, including:
Read about the other entries on the list.The Spoiler by Annalena McAfee
It’s 1997 and newspapers are beginning to fight for their survival. The novel centers on two women at different ends of the journalistic food chain—Honor, an older, admired war correspondent, and Tamara, a young writer of fluff for an entertainment supplement called Psst. Tamara, who specializes in listicles (“The Best Soap Opera Shags”), has never heard of Franco, thinks zeitgeist is a German magazine and assumes Levi-Strauss is a new kind of jeans. Ambitious to climb an increasingly shaky ladder, she tries to write a feature about the flinty and contemptuous Honor. The gap between two generations and two attitudes to journalism could not be starker, or more darkly amusing.
--Marshal Zeringue
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