At Electric Lit Hutton tagged ten "nuanced stories [that] are less interested in happy endings than allowing the women at the heart of these dalliances to uncover how universal concerns can play out on the most intimate of stages." One title on the list:
Our Wives Under the Sea by Julia ArmfieldRead about the other entries on the list.
When Miri’s wife, Leah, doesn’t return from a deep sea research expedition for six months, Miri presumes her dead. The relief of her resurfacing is quickly overshadowed by the repercussions of the traumatic experience: namely, a Leah who is unrecognizable to Miri. This is a masterfully paced horror story, not only because Leah deteriorates into something not quite human in incremental, stunningly rendered beats, but also because the reader’s heart shatters in slow motion. This is a story about two women who love one another deeply, but whose experiences newly mark them as strangers to one another. While much of the reminisced upon love story depicts the women at a young age, this story’s relevance lies mostly in its ability to reflect the ways in which one partner often outgrows the other in young relationships. The tension between the active love these women share and their total inability to connect in the present moment proves an unstoppable current, dragging readers to a dark and scary place where the people we love most aren’t immune to change. A place where grief and love can coexist tenderly but, ultimately, not successfully.
--Marshal Zeringue