Eight books by writers who use horror as a way to understand themselves

Richard Scott Larson is a queer writer and critic. His debut memoir is The Long Hallway.

Born and raised in the outer suburbs of St. Louis, he studied literature and film criticism at Hunter College in Manhattan and earned his MFA from New York University in Paris. He has received fellowships from MacDowell and the New York Foundation for the Arts, and his work has also been supported by residencies at the Virginia Center for the Creative Arts, Vermont Studio Center, Paragraph Workspace for Writers, La Porte Peinte, and the Willa Cather Foundation.

At Electric Lit he tagged eight "books that helped [him] understand how writing about horror can be a way of writing about ourselves." One title on the list:

In the Dream House by Carmen Maria Machado

“The memoir is, at its core, an act of resurrection,” writes Machado in the opening pages of In the Dream House, an innovative account of her experience of domestic abuse that embeds her personal story within an extensive cultural history. The book is structured as a series of brief sections titled after various tropes—many of them from horror film iconography, such as “Dream House as Creature Feature,” “Dream House as Haunted Mansion,” “Dream House as Demonic Possession,” “Dream House as Apocalypse,” and “Dream House as Nightmare on Elm Street”—expressing elements of her time in a house in Indiana where her girlfriend lived during most of the duration of their relationship while Machado was a graduate student in Iowa. Her story is punctuated by harrowing moments of conflict that feel, because of their specificity, almost uncannily familiar. Readers come to inhabit her mind so wholly that the claustrophobia of her relationship with this other woman is made present first in the mind and then in the body, a cancer spreading quietly beneath the skin.

Read about the other entries on the list.

--Marshal Zeringue