At Publishers Weekly she writes:
Many—maybe even most—of my favorite books are novels narrated by an observer who does not consider themselves the main actor in the story. Think Nick Carraway, Jay Gatsby’s sort-of friend, the perfect mournfully sardonic narrator for one of American literature’s most enduring novels. I love stories told by the supposedly innocent bystander; the less charismatic best friend; the hapless fan or scholar whose own life recedes in the shadow of their subject of adoration.Grames tagged ten favorite books in which the narrator isn't the main character, including:
The Name of the Rose by Umberto EcoRead about the other entries on the list.
Detective fiction has a long tradition of an average Joe narrator who relates the adventures of a whimsical genius investigator—a tradition that goes all the way back to the mystery genre’s inception with Edgar Allan Poe’s Auguste Dupin stories and Arthur Conan Doyle’s Sherlock Holmes. With The Name of the Rose (1980), Eco offers a hyper-intellectual pastiche of that archetype with a murder mystery set in a 14th century Italian convent in which a bumbling Benedictine novice, Adso, describes the crime-solving antics of his master, a monk named William of Baskerville.
The Name of the Rose is on Tessa Arlen’s top five list of historical novels, Sarah Dunant's six favorite books list, D.D. Everest's list of the ten top secret libraries of all time, Carolyne Larrington's top ten list of modern medieval tales, Jeff Somers's list of ten books you should finally have read in 2015, S. J. Parris's list of five favorite historical murder mysteries, Ian Rankin's list of five perfect mysteries, John Mullan's top ten list of the most memorable libraries in literature, Andy McSmith's top 10 list books of the 1980s, and Vanora Bennett's list of five favorite historical novels.
--Marshal Zeringue